I remember our baby in a crib who’s fast asleep,
He doesn’t see my tears, can’t hear me weep
And I wondered, “Was it worth it that we chose his life not yours?”
And I felt you smiling with me and answer, “Of course.”
It was the first day of VOICE. I was sitting in TESOL auditions as my brother unveiled one of the most important songs in his newest musical The Inheritance, based on the parable of the prodigal son in Luke 15. In Tim’s adaptation, the father finds himself wrestling with the rebellion and desertion of his younger son as well as possible professional ruin, so he questions whether he and his wife had made the right choice in giving life to their second son at the cost of her own at childbirth.
At the time, I was nearly 11 weeks pregnant, so the song touched a very sensitive spot in my heart. All my life, I’ve been learning to love others– family, friends, classmates, teachers, colleagues– but most of it was based on the other person giving or responding similarly at least in some small way. Even with Luke, I fell in love because he first loved me.
At this particular point in Tim’s story, however, we’re faced with the quandary of reconciling the sacrifice of a loving mother for her ungrateful and selfish son, who was recklessly destroying his father’s life work. Part of me cringed from the injustice of it. The other part of me, however, experienced for the first time what it means to be a mother– to love someone I have never met, not because of any merit of their own or because they love me, but simply because that is how God first loved us.
That is what Christ has done for us. He doesn’t love us because of anything we have or can do for Him. He didn’t choose me because I was a good girl. No, God demonstrated His irrational and wasteful love in that “while we were still sinners, Christ died for us” (Romans 5:8).
Karen, I appreciate your thoughts on the music. It’s cool to see God use lyrics that I was desperately trying to finish in time.